Valley in the Minibus 車內河谷

策展 林怡華

委託製作 台電藝術季

概念 李奧森

服裝設計 蔡浩天

表演者 王筑樺、梁俊文、葉恩

執行製作 楊智翔

攝影 陳藝堂

Curator Eva Lin

Commisson Taipower Arts Festival

Artist Val Lee

Costume Design Eric Tsai

Performers Chu-Hua Wang, Chun-Wen Liang, Vivi Yeh

Executive Producer Wave Yang

Photographer Etang Chen

EXHIBITION SITE TAIPOWER ARTS FESTIVAL TAIWAN

2024,暫時性情境

九人巴士內有三至四名未曾見過的他人,我們沿著平行風景在目的地與目的地之間遷移,沒有事件、沒有相互關係、沒有波動、沒有波瀾。

欄杆與欄杆之間,沒有特定意義的空氣,路線、定點、轉換點、空無一人的噴泉、無定性的階梯。理想的觀景點包含了持續縮小的遠物、持續模糊的近物與均質的風;包含了獨自一人,卻與他人相似。


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2024, Ephemeral Situations

In the nine-passenger bus, there are three to four strangers. As we travel through the parallel landscape, we move from one destination to another without any events, interactions, fluctuations, or emotional experiences. In between the railings, the air seems to lack specific significance – routes, fixed points, transferring points, a fountain with no one nearby, and an indefinite staircase. An ideal viewing spot involves distant objects constantly shrinking, close objects constantly blurring, consistent wind, and being alone but also similar to others. 

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  • 李奧森

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Charting the Contours of Time 時間的臨摹 | Liveworks(JP)